佛禅思想与南朝体物诗的范式研究

The Relationship between Buddhist Thought and Object-Chanting Poetry in the Southern Dynasty

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归属学者：

丁红丽

归属院系：

新闻传播学院（融媒体学院）

作者：

丁红丽1

摘要：

体物诗产生于佛教盛行的南朝,其产生与佛禅思想有着密切的关系,并表现出一系列范式特点。首先,在佛禅"守心"与"客尘"对立的"心物分离"思维方式影响下,体物诗表现为"无我性",即诗人主体情志抽离的特点;其次是佛禅中"观五蕴"之修行方式对体物诗的影响,佛禅"返照内观"的修行方式,尤其"观五蕴"中"观"的修行方式直接影响到体物诗,使体物诗呈现出"描摹性"的特点;第三,佛禅"性空假有"思想影响了诗人对待物质世界的态度,体物诗人多以赏玩态度去观物,体物诗表现出赏玩性的特征。

出版日期：

2020-09-14

学科：

中国现当代文学; 中国古代史

收录：

CSSCI

提交日期：

2020-09-25

引用参考：

丁红丽. 佛禅思想与南朝体物诗的范式研究[J]. 新疆大学学报(哲学·人文社会科学版),2020(05):117-123.

全文附件授权许可：

知识共享许可协议-署名

  • dc.title
  • 佛禅思想与南朝体物诗的范式研究
  • dc.contributor.author
  • 丁红丽
  • dc.contributor.author
  • DING Hong-li;School of Journalism and Communication, Southwest University of Political Science & Law
  • dc.contributor.affiliation
  • 西南政法大学新闻传播学院
  • dc.publisher
  • 新疆大学学报(哲学·人文社会科学版)
  • dc.publisher
  • Journal of Xinjiang University(Philosophy,Humanities & Social Sciences)
  • dc.identifier.year
  • 2020
  • dc.identifier.issue
  • 05
  • dc.identifier.volume
  • v.48;No.211
  • dc.identifier.page
  • 117-123
  • dc.date.issued
  • 2020-09-14
  • dc.subject
  • 体物诗;无我性;描摹性;赏玩性
  • dc.subject
  • Object-Chanting Poetry;Me-Detachment;Depiction;Appreciation
  • dc.description.abstract
  • 体物诗产生于佛教盛行的南朝,其产生与佛禅思想有着密切的关系,并表现出一系列范式特点。首先,在佛禅"守心"与"客尘"对立的"心物分离"思维方式影响下,体物诗表现为"无我性",即诗人主体情志抽离的特点;其次是佛禅中"观五蕴"之修行方式对体物诗的影响,佛禅"返照内观"的修行方式,尤其"观五蕴"中"观"的修行方式直接影响到体物诗,使体物诗呈现出"描摹性"的特点;第三,佛禅"性空假有"思想影响了诗人对待物质世界的态度,体物诗人多以赏玩态度去观物,体物诗表现出赏玩性的特征。
  • dc.description.abstract
  • Object-chanting poetry was initiated in the Southern Dynasty when Buddhism was prevailing. The initiation is believed to be largely tied with Buddhist thought. Firstly, the detachment thought of subjective sentiment from the physical world-a way of Buddhist doctrine – made obvious the me-detached trait in the poems. That is, the feelings of the poets were revoked off from the lines. Secondly, the Buddhist practice of"observing the physical world"made it possible for the poet to vividly depict the scenes, thus leaving a "depictive" feature in their works.Thirdly, the "transient existence" of all beings, as Buddhist followers believe in, produced an impact on his attitude toward the physical world. Therefore, the object-chanting poetry takes on an "appreciative" feature.
  • dc.description.sponsorshipPCode
  • 20SKGH008
  • dc.description.sponsorship
  • 重庆市教委人文社会科学基金“唐代西南流寓诗歌及传播研究”（20SKGH008）
  • dc.identifier.CN
  • 65-1034/G4
  • dc.identifier.issn
  • 1000-2820
  • dc.identifier.if
  • 0.313
  • dc.subject.discipline
  • I207.22;K239.1
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